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SUG presents...

SUG presents… Becky Lovatt

Here we are again people, it’s interview time! This time we are graced with the innocent presence that is acoustic act and one-time schoolmate of mine – Becky Lovatt. Born and raised in a small village outside of Chesterfield, Becky has recently been involved with development label NA Music and with an E.P. in the wings, 2012 is a big year for the Law graduate. Let’s just jump straight into this, shall we?

You know the drill – I’m in red, Ms. Lovatt’s in blue!

Becky and her trademark acoustic guitar.

The Interview 

M: So, when did you first discover you could sing?

B: Well, I don’t know about when I discovered I could sing, but I’ve always been involved in little musicals. My first memory is being in year 3 and my primary school teacher at the time (Ms. Doxey) telling me I had a nice voice. So I entered into the schools auditions for ‘The Sound of Music’ and got my own little song and part.

M: Hi, Ms. Doxey! I wish I had a better audition. The only part I played was a sheep…

B: Well I hope it didn’t scar you too badly. My headteacher always took me under his wing when he did production musicals in Derby and that really helped as well.

  
Becky and her brother, Cal performing as 'From Small Acorns'

 M: Did he take you along to any?

 B: He didn’t take me to any but I got a small part in ‘Bugsy Malone’ when I was about 10? I only had a chorus and small speaking part, but I loved it and it gave me the bug for music! Though the audition was pretty gruelling..

 M: How so?

 B: We had to do a New York accent and learn a script, full dance routine to Jamiroquai and then sing in front of about 100 other people going for the same role. An eye-opener for a 10 year-old.

 M: Jeez! I’m guessing you did O.K. though?

B: I got through and even got my own little Flapper dress!

M: I have NO idea what one of them is but I’m sure it looked great.

M: So you obviously knew you could sing at a young age, but did you want to take it further? Or was it just a hobby?

B: Once I got to secondary school, I was more into playing my clarinet and going to drama school so the singing took a back seat.

M: And how was the dreaded teenage girl’s school life?

B: Pretty average! I was known as the weird ‘surfer’ girl throughout. I was mad on windsurfing and used to take days off to go to the national competitions.

Becky at Finsbury Park

M: Average? You have NO embarrassing tales for me and the readers?!

B: Not that I can remember. Maybe I’ve just erased them from my memory. I’m sure some old school friend will comment on this with an embarrassing tale I’ve forgotten…so thanks in advance!

M: So what made you choose to study Law at university?

B: It was the sensible option I suppose. I originally went to college to study Fashion until my boyfriend persuaded me to move to 6th Form because he didn’t think fashion was particularly challenging or had enough career options. I’ve since learnt he knows what he’s talking about, and am glad I took his advice!

M: Good man! So when did the whole NA Music thing happen?

B: Well Neil (the owner) came to my very first gig at The Maze in Nottingham, and got in touch a few months later. He told me I had to “work on a few things”, but was very positive. I did a few gigs for him, and he liked me. Either that or I was the only one he could get to play!

M: Speaking of gigs, what comes next for you? In music terms.

B: Well I’m obviously recording soon. Also working with my brother a lot as we’re starting to do a lot of gigs together – we’re called From Small Acorns (PLUG! Check them out here). I’m looking at doing some gigs down in London in the Summer.

M: And your E.P.’s going to be out…?

B: Some time in the Summer. It’s called ‘Fairground of Broken Hearts’.

M: Any favourite tracks of yours that you’ve considered for it?

B: My own favourite song? That’s like trying to pick between my children! I think I’d pick ‘Stay‘ at the moment – it’s pretty Gavin de Graw inspired and will definitely be on the E.P.

M: I have no idea who he is but he sounds important. 

M: What about favourite tracks in general? 

B: That’s a really hard question for me to answer because I listen to a massive variety of music. I like people like Taylor Swift, Katy Perry and Lady Antebellum. But a lot of my songs which I write are inspired melodically by a composer named Ludovico Einaudi. (“Who?!” I hear you ask. Youtube ‘I Giorni’. You can hear the influence!)

M: Finally, words of advice for someone out there?

B: Mmm, I’m not sure people should be taking advice off of me! But if I had one piece of advice I think it would be just to have fun and enjoy yourself. If you’re not enjoying it people can tell so just have a great time! You only live once.

M: Everyone relates to Drake! Y.O.L.O. 

B: He obviously stole that from me. Bless him, I’ll let him have that one.

M: You heard it here first people!

Becky’s new E.P., ‘Fairground of Broken Hearts’ is planned for release in the Summer of 2012 and will feature original tracks such as ‘Stay’. Also check out her and her brother’s page ‘From Small Acorns’. 
My personal view? Becky’s a down-to-earth person with a certain knack for songwriting. I advise people to check out ‘(I Can Do It) On My Own‘ and ‘Bring Back the City’. Blissful. 

In the meantime check out her Youtube channel that’s packed with covers and originals.

Seriously people. Behind the innocent face is a musical machine!

Facebook: https://www.facebook.com/pages/From-Small-Acorns-Becky-Lovatt/110244009057470
Youtube: http://www.youtube.com/user/BEX9637
Twitter: @beckylovatt
Soundcloud: http://soundcloud.com/beckylovatt

Music…it’s what feelings sound like.

Categories
Reviews

Tomahawk ‘Lack of’ Technique

Sean Paul's latest release 'Tomahawk Technique'

Sean Paul is the epitome of what I like to call “Marmite artists”. Some people like him, some people hate him. It’s as simple as that. Personally? I’m a fan of the part-AfroCarribbean, part-Portuguese, part-english, part-Chinese and part-Jamaican. (That’s genuinely his roots. We’ll call him Jamaican for easiness.) Admittedly, after the success of his sophomore album Dutty Rock in 2002 and The Trinity in 2005, his career quickly declined. He released 4 more singles after his 2005 album, 3 of which failed to chart in the U.K. – and the one that did was ‘So Fine‘ which reached a peak at #25.

So with things looking bleak for the “Jamaican” ;), Henriques (his real surname) parted ways with his long-term manager Jeremy Harding in August 2011 and teamed up with David Sonenberg of DAS Communications.
And here we have the result of the changes surrounding Sean Paul.
Sporting a ridiculous new haircut (that he clearly got when he was at home, sat on his sofa watching DragonBall-Z) Henriques released his latest album aptly named ‘Tomahawk Technique” on January 27. When asked about the reason for the album Henriques claimed he is:

“…trying to bridge the gap, broaden my artistry. I’m asking producers to try and make dancehall from their perspective. So it’s sounding more international than dancehall.”

Well Mr. Paul, it certainly sounds more international…just in the same way the likes of The Cheeky Girls, JLS and Justin Bieber sound international.

The Review

1. Got 2 Luv U (Feat. Alexis Jordan)
The lead single and the best song on the album ‘Got 2 Luv U’ is the only one I genuinely like. Featuring America’s Got Talent semi-finalist Alexis Jordan, the song was produced by Stargate and lead singer of OneRepublic Ryan Tedder. It’s the closest Sean Paul’s been to his original self in a long while and features the typical synthesized and bass-pumping beat that Stargate have become famous for. The repetitive “Got to love ya” does get annoying by the end of the song but if you play it loud in the car, you can’t help but bounce to the beat. The song has a pretty relevant message though. Sean Paul admiring a girl- in this case Alexis Jordan – and stating that even though other guys want her, he can love her more. With Alexis retorting that she doesn’t want to fight the feelings. Awwwww. (Ironic that allllll through the video, Sean Paul is ogling every other woman under the sun.)

 “They’re [Stargate] from Norway but they’re killing it, and they’re making a lot of stuff that’s heavy dancehall stuff for me. Sean Paul on the production of Got 2 Luv U.

2. She Doesn’t Mind
The 2nd released single, this song begins with a promising Ibiza-esque build-up and acoustic guitar…only to be spoilt by a wavy toned chorus by Sean Paul. But what else do you expect when Shellback (the guy who produced Ke$ha’s and part of Cher Lloyd’s album) combines with Benny Blanco (the guy who also worked with Shellback on Ke$ha’s Animal album and more recently on Christina Aguilera & Maroon 5’s ‘Moves Like Jagger)?
The thing that really annoys me about this song is the stupid video. It begins at an airport with a live text conversation going on between Sean & a mystery woman. “If security catches you…it’s over,” Paul states. The airport is then revealed to be filled with whore-some staff and security guards who erotically feel up the passengers whilst “searching” them…What airport is this?! The mystery woman arrives (dressed as Inspector Gadget on a Summer’s day) and slips through to hand Sean a USB stick. That’s it. It ends there…what the hell? That could be child pornography for all we know!

3. Body
I’m a big fan of R’n’B/producer Rico Love but this beat is one of the most annoying beats I’ve heard. The main focal point of the instrumental is what can only be described as what sounds like an Indian fly trapped in a Gravity Tube. (Them cylindrical tubes everyone had as a kid that if you tipped upside down made a loud “whooping” noise?). The typical Sean Paul of late really. Annoying beat, average melody and usual sexual lyrics. Meh…could’ve left this one out.


4. What I Want
Track 4 is… ok. Sean Paul demonstrates that he can actually sing although he does churn on about random things – “Elastic, fantastic” – but the tepid bass patter and Caribbean drum pattern makes the beat sound empty. Something is missing in this song..I just can’t lay my finger on it.

5. Won’t Stop (Turn Me Out)
 Featuring the normally reliable vocals of Usher on the chorus ‘Won’t Stop’ is, simply put, boring. Yeah, Usher does make the song a little better but it just goes on and on and on and never goes anywhere. Sean Paul should leave the chill-out reggae to Mavado and stick to the club-thumpers. Maybe Usher knows this and that’s why he’s not credited on the song…

'Got 2 Luv U' Feat. Alexis Jordan promotional single cover.

  6. Dream Girl
One of the very few songs where Sean actually sings! Despite this, the Phil Collins-esque drum and Jungle Book-like beat make the song sound like it belongs in a slow-motion montage of Lion King. Nevertheless, it’s in the better half of the album…just the shitter half of his career. The song has a “cute” message, I guess. Paul expressing his love for a fantastical girl that only exists…wait for it…in his dreams. I didn’t really need to explain it did I?

  7. Hold On
He was definitely smoking the Ganja before this. His voice sounds rougher than a cat licking sandpaper. Saying this, he seems to have taken the Walt Disney feel from ‘Dream Girl’ and …well, nothing…he’s basically written the same song twice. ‘Hold On’ has a faster tempo and a different title…

   8. How Deep Is Your Love? (Feat. Kelly Rowland)
BEFORE you get excited! No, this isn’t a cover of the infamous Bee Gee’s song. (Wouldn’t that be something?) The track is a little more familiar to the Sean Paul of late with a raving synth in the background paired with a now, apparently, reggae Kelly Rowland. This does bring something to my mind. How come every urban singer seems to have a Jamaican root in them somewhere? When did this happen?! The beat sounds like many of Ne-Yo’s latest songs which is what happens when you get Stargate producing it. 

   9. Put It On You
 “Yo, yo, yo, yo!” Prepare to be humming this to yourself after listening to track 9. As is the story of this album, it’s just “another song”. Nothing special. Nothing extraordinary. Just a filler that’s in there. Kinda in the same way the gherkin is in McDonald’s burgers. No-one likes them. No-one eats them. Yet they continue to plague my burgers with them. I feel sorry for the gherkin, it’s just a wannabe cucumber that never will be. But that’s a whole different discussion…. 

Sean Paul sporting his latest 'Mohawk' hairstyle

  10. Roll Wid Di Don
Produced by back-up vocalist to Sean Paul, Jigzagula, I swear the beginning melody is off Everybody’s Golf on Playstation 2? (Remember that game?!). For some reason, I imagine this fast-paced feel-good song in a latin film like….I don’t know any but you get my drift. For all you bassheads out there (including me)…this song has NOOOOOOOOO bass! But it’s good to play loud on a Summer’s day, although if you live in England right now…he’ll probably have another album out by the time that happens.

11. Touch The Sky (Feat. DJ Ammo)
The only TRUE Sean Paul song on the whole record! Produced by California-based DJ Ammo, co-creator of BEP’s ‘The Time (Dirty Bit), the song follows the current trend for artists with a club beat followed by a build-up, exceeded by a drop into some crazy house/electro beat. Pitbull’s done it, Ne-Yo’s done it…of course Sean Paul’s gonna do it! The difference is…this beat is an actual banger. It’s physically impossible to stop your head from bouncing when listening, and trust me, I’ve tried. Expect to hear this when you next go down town!

12. Wedding Crashers
If you ever wanted an example of a “feel-good” song…look no further. When Future Fambo arrives on a track…it’s like inviting Lee Evans to do a best man’s speech. With his unusual deep tone and various pitch issues, Fambo takes the spotlight off Sean Paul on this track. And it makes me smile every single time. Not quite sure why Sean says that they call him the ‘Wedding Crasher’ when he crashes parties…wouldn’t he be a ‘Party Crasher’…Yeah, he’s gonna take all the women but all the woman are singglleeee. Not about to take their vows. Think about it, man!

13. (BONUS TRACK) Waya Waya (Feat. Tal)
This confuses me. It’s clearly NOT Sean Paul’s song. It’s clearly NOT English. And it definitely does NOT belong on this album. It’s more Tal Feat. Sean Paul. And as much as I’d love to comment on the French reggaeton hit, I have no idea what they are going on about. Eurovision entry comes to mind. I do hear, what I picture as, a small Frenchman screeching “Waya, waya, waahhh” every few seconds. My thoughts exactly….”why, why, whyyyyy?”

The Conclusion

As much as I love the mohawk-wearing Jamaican, this album was bitterly disappointing. With the exception of ‘Touch The Sky’ and ‘Got 2 Luv U’, the album sounds like it was made with a target audience of Walt Disney & co. in mind. Is this down to management change? Is it to do with Sean Paul’s philosophy of wanting an album with various producers views on dancehall? Or is it purely because Sean Paul is now simply old news? You decide. (I know you read that in the same style as the narrator off Big Brother 😉 )

Music…it’s what feelings sound like.